Women Without Men, an adaptation of Shahrnush Parsipur’s magic
realist novel, is Iranian artist, Shirin Neshat’s, first feature length
film. The story chronicles the intertwining lives of four Iranian
women during the summer of 1953; a cataclysmic moment in
Iranian history when an American led, British backed coup d’état
brought down the democratically elected Prime Minister, Mohammad
Mossadegh, and reinstalled the Shah to power. Over the
course of several days four disparate women from Iranian society
are brought together against the backdrop of political and social
turmoil. Fakhri, a middle aged woman trapped in a loveless marriage
must contend with her feelings for an old flame who has just
returned from America and walked back into her life. Zarin, a young
prostitute, tries to escape the devastating realization that she can
no longer see the faces of men. Munis, a politically awakened young
woman, must resist the seclusion imposed on her by her religiously
traditional brother, while her friend Faezeh remains oblivious to the
turmoil in the streets and longs only to marry Munis’ domineering
brother. As the political turmoil swells in the streets of Tehran, each
woman is liberated from her predicament.
Munis becomes an active part of the political struggle by plunging
to her death. Fakhri frees herself from the chains of her stagnant
marriage by leaving her husband and purchasing a mystical orchard
in the outskirts of the city. Faezeh is taken to the orchard by Munis
to face her own awakened self where Zarin has found solace in her
communion with the land. But it is only a matter of time before the
world outside the walls of the orchard seep into the lives of these
four women as their country’s history takes a tragic turn.